The Screenwriting Blog

You've heard this many times and no, I'm not about to tell you that this isn't true. Rewriting is an inherent part of writing, and it can be a very long process, endless even. Just like writing, rewriting should be planned carefully to ensure that the hours invested fructify. Work smart, instead of hard, with these rewriting tips.  1. Rewriting vs. editing. These are two related, but separate processes, and knowing the difference is key to making rewriting more efficient.  Rewriting entitles changing the core of the story, working on character and story development, structure, and dialogues, while editing is more of a correction process. Editing consists of fixing formatting errors, grammar and spelling mistakes, and amending scene headers, location, and character names.  Separating these processes and working on them one at a time will allow you to avoid distractions and get more of your rewrite done. As you rewrite, you can still correct minor errors and typos, as long as

Substance over form. Many people (especially accountants) will agree with this statement and generally, I would too, however, when it comes to screenwriting, there is a very specific format that we need to use, a format used in the film industry that allows all production departments to understand and use the script for what it is: a tool for making a movie. The screenwriting standard format is not hard to understand or follow and different software options do it all for you 1. Font and Sizes The standard format calls for the font Courier in 12 points. A page of writing in the proper format will equal about a minute of screen time, so for a 90-minute film, your script should be around 90 pages long. 2. Scene heading Where and when are we. Comes at the beginning of every scene, also marking the end of the previous one, it indicates if it’s an interior or exterior scene (INT. / EXT.), the place it’s set in, and whether it’s day or night, and it looks like this: It is very important that

As I mentioned before , writing a script requires a very specific format, in order for it to comply with industry standards and for the different production departments to understand it. This format can be created in almost any word processor, however, there are certain specific software options that do the formatting for you, allowing you to focus on the writing and giving you one less thing to worry about. Let’s take a look at some of them. Different software options cater to different needs, think of what your project needs when choosing the best for you. Celtx My personal favorite. Celtx is a web-based application with a free and a pro, paid version. While the free version is great for writing, the paid version offers a number of features for project management, such as budgeting, scheduling, and storyboard creation. Prices vary from 7 to 22 USD a month, depending on features and the number of projects you can create, they also offer special prices for companies and schools. Celtx

Stories are about characters. Whether it is animals that represent morals, like in the good old fables or multi-dimensional, colorful, fascinating people, characters make stories come true. So when we write for film and TV, we need to be careful and respectful of them in order to create real, engaging characters that our audience can relate to. Achieving good character development takes time and practice, but here are some things to get you started.   1.      Creating solid backgrounds We all have a background, like it or not. There are things from our past, our families, culture, and personalities that define us and the way we act and react to situations, and fictional characters should do too. The difference is, it is you as the writer who gets to create them. Deciding what features of the character to create or focus on depends on every writer. Some prefer to simply outline the character’s background and their most important personality traits. These are some things that